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Participants of the PC/Cp 2017 Gathering were invited to join the roundtable to discuss a particular question that involved reflecting on their own artistic practices, personal histories and experiences, and dissect the challenges/fractures/progress within the current Canadian art system in order to imagine the future(s) together.
Watch the shortened versions of the roundtables here.
#3 Roundtable (extended version)
Other Roundtable Resources
Ayumi Goto is a performance apprentice, currently based in Toronto, traditional territories of the Haudenosaunee Confederacy, Wendat, Anishinaabe, and Missisaugas of the New Credit First Nations. Born in Canada, she at times draws upon her Japanese heritage and language to creatively critique sentiments surrounding national culturalism, activist strategies, and land-human relations. Ayumi has made performative interventions in London, Berlin, Kyoto, and across this land presently called Canada. Her practice is deeply influenced by Roy Miki, Shirley Bear, Cheryl L’Hirondelle, Adrian Stimson, and Peter Morin.
Andrea Fatona is an independent curator and an associate professor at the Ontario College of Art and Design University. She is concerned with issues of equity within the sphere of the arts and the pedagogical possibilities of art works produced by “other” Canadians in articulating broader perspectives of Canadian identities. Her broader interest is in the ways in which art, “culture” and “education” can be employed to illuminate complex issues that pertain to social justice, citizenship, belonging and nationhood. She is the recipient of awards from the Canada Council for the Arts, the Ontario Arts Council and the Social Sciences and Humanities Research Council of Canada and was the 2017/18 OCAD U-Massey Fellow. Fatona has published scholarly articles, catalogue essays and book chapters in a range of publications.
Skawennati makes art that addresses history, the future, and change from an Indigenous perspective. She is best known for her machinimas—movies made in virtual environments—but also produces still images and sculpture.
Her pioneering new media projects include the online gallery/chat-space and mixed-reality event, CyberPowWow (1997-2004); the paper doll/time-travel journal, Imagining Indians in the 25th Century (2001); and the machinimas TimeTraveller™ (2007-2013), She Falls For Ages (2017) and The Peacemaker Returns (2017). These have been widely presented in major exhibitions across the globe, including “Uchronia | What If ?”, in the HyperPavilion at the 57th Venice Biennale; B3 Biennale of the Moving Image, Frankfurt, Germany; “Now? Now!” at the Biennale of the Americas; and “Looking Forward (L’Avenir)” at the Montreal Biennale. Her award-winning work in is included in both public and private collections.Born in Kahnawà:ke Mohawk Territory, Skawennati holds a BFA from Concordia University in Montreal, where she resides. She is Co-Director, with Jason E. Lewis, of Aboriginal Territories in Cyberspace (AbTeC), a research network of artists, academics and technologists investigating, creating and critiquing Indigenous virtual environments. She also co-directs their Skins workshops for youth in Aboriginal Storytelling and Digital Media. In 2014, AbTeC launched IIF, the Initiative for Indigenous Futures.
Please visit www.skawennati.com to see some of her work.
Stéfan St-Laurent multidisciplinary artist and curator, was born in Moncton, New-Brunswick and lives and works in Gatineau. He was the invited curator for the Biennale d’art performatif de Rouyn-Noranda in 2008, and for the 28th and 29th Symposium international d’art contemporain de Baie-Saint-Paul in 2010 and 2011. From 2002 to 2011, he worked as curator of Galerie SAW Gallery, and has been an adjunct professor in the Department of Visual Arts at the University of Ottawa since 2010. His performance and video work has been presented in numerous galleries and institutions, including the Centre national de la photographie in Paris, Edsvik Konst och Kultur in Sollentuna in Sweden,YYZ in Toronto, Western Front in Vancouver and the Art Gallery of Nova Scotia in Halifax. He has been a curator and programmer for a number of artistic organizations and festivals, including the Lux Centre in London, the Cinémathèque Québécoise in Montréal, the Festival international du cinéma francophone in Acadie, the Rencontres internationales Vidéo Arts Plastiques in Basse-Normandie, France, the Festival international du cinema francophone en Acadie in Moncton, as well as Pleasure Dome, Images Festival of Independent Film and Video and Vtape in Toronto. He is currently director of the artist-run centre AXENÉO7 in Gatineau.