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Like most Primary Colours / Couleurs primaires workshops, the title was chosen ahead of time, no questions asked. T...
This handbook was created in response to the feedback received during the 2017 Repatriation Symposium hosted by the R...
In September of 2017, I was honoured to be invited to to share a storytelling space with Chilean storyteller, Lina ...
In towns throughout Ontario, there are startling reminders of the colonization of Indigenous territories and the disp...
Myself and Léuli entered our designated room, which I initially thought was spacious. There were many people alread...
First published in Rungh. Used with permission. I attended the opening reception of Deconstructing Comfort at ar...
I am from Haiti, a country located in the Americas and at the heart of global unrest. I am part of a history stemmi...
from on .
Long after, or the aftermath of colonies Reflection on the round table “What is the Future of Artistic Practices?” w...
Sixteen years ago I arrived as an uninvited guest on Lekwungen territory. Not that I would have used those words at t...
Deconstructing Comfort was an interdisciplinary arts exhibition that presented the work of seven contemporary Indig...
This knowledge and literature review examines a broad range of material on Aboriginal arts in Canada. Recognizing the...